MAUVAIS CONTACT - personal agenda

mauvais contact

[2015] [2014] [2013] [2012] [2011] [2010]
Shu Lea Cheang
download
vitae2016 pdf
shulea@mauvaiscontact.info

01

* FLUIDØ in production, Berlin.

02

* As respondent in panic room session at transmediale Berlin.
* Public navigation of BRANDON at Intermediae Matadero, Madrid. Organized by Toxic Lesbian navigated by Remedios Zafra. documentation [video-Eng] -[transcript-Eng] - [web-Eng] - [video-Spanish] - [transcript-Spanish] - [web-Spanish]
* Home Economics, a laptopsRus/crisisRus project at Intermediae Matadero, Madrid.

03

* A lecture titled DURATIONAL and TRANSFORMATIVE: genre and gender at Ecole nationale des beaux-arts de Lyon, invited by Marie Canet.
* Join empyre discussion forum (March 2016) Art/Tech/Food moderated by Amanda McDonald Crowley.
* workshop/presentation of UKI-enter the bionet at APO33, Nantes, France.

04

* Editing FLUIDØ in Berlin.

05

* Keynote speaker - As the [science] fiction goes… at ISEA2016, Hong Kong.
* performing UKI viral performance- live code live span at CLICK, Denmark. [sound artists open call] - [UKI performance documentation]
* part of the exhibition BEHIND THE SMART WORLD, Exhibition in conjunction with AMRO 2016: Waste(d)!

06

* Speaking at Digital Bauhaus Summit, Weimar (Germany). track: Teknokomrades: Scaling Luxury, Intelligence and Immortality. (hosted by Heather Moore) [presentation]
* Editing FLUIDØ in Berlin.

07

* Editing FLUIDØ in Berlin.

08

* curating Eleonore summer residency - Radio Active: Sink and Swim with Stadtwerkstatt, Linz, Austria.
* In conversation with Victoria Sin of Auto Italia for the screening of I.K.U. at "speculative Sex: I.K.U. and Neurosex Pornoia".

09

* curating STWST48x2, second year of STWST48 exhibition project with Stadtwerkstatt, Linz, Austria.
* speaking at FutureFest in London with a title "Viral Love is Future Love" and join the panel discussion on shifting identities in the thematic thread "FUTURE LOVE" curated by Ghislaine Boddington.
* proposal titled WONDERS WANDER [Eng]&[ES] for Madrid Pride 2017.

10

*BRANDON (1998-1999), part of the exhibition "Seduction of a cyborg" at USC Roski School of Art and Design.
* exhibiting Composting the net at CAC5 (computer art congress) art exhibition in Paris.
* Starting artist in residency at Hotel Dieu hospital, Paris - proposal Ultra Love Songs for the Unborn (working title), an Art2M - Makery Medialab curation, with Echopen open source echo-stethoscope project.
* BRANDON- a cyber memorial by Claire L.Evans published at SPIKE, Art Quarterly Kunstmagazin #49 Autumn 2016 issue.
* Submit to International CoProduction Fund Goethe-Institut a proposal Mycelium Network Society planned for transmediale 2017 Excursion III Ecologies.

11

* Join Transmedia Matters? Researching Electronic Waste organized by Critical Media Lab der Hochschule für Gestaltung und Kunst (HGK FHNW) at FHNW, Basel, Switzerland. [the talk]
* Fingers and Kisses (1994) at Pleasure Principles: Bad Asians, Bottomhood, and the Belated Archive presented by Leeroy Kang with A/P/A Institute at New York university.
* Exhibiting UKI-enter the bionet - proposal [English][French] at HeK (Haus der elektronischen Künste) , Basel, Switzerland.
* Join CRUMB-New Media Curating mailing list November discussion on Methods for studying the (after)lives of Internet art moderated by Karen de Wild. [log in]
* Exhibiting UKI viral love in Monsters of the Machine: Frankenstein in the 21st Century curated by Marc Garrettat/Furtherfield, Laboral, Gijon, Spain.
* presenting 7067 KHZ - it's not a test, a STWST/Eleonore project with Franz Xaver at Piksel, Bergen, Norway.

12

* Exhibiting UKI-enter the bionet at Baltan Laboratories with a workshop on developing interactive installation UKI-enter the bionet, a case study, Eindhoven, The Netherlands.
* FLUIDØ final sound mix, Berlin.

SELECTED WORKS

FLUIDØ the movie (2017 release) feature film in production
CRISISRUS by LAPTOPSRUS (2013) collective networked performance
SEEDS UNDERGROUND (2013) underground party for seed exchange
ACCIDENTAL LANDING (2013) accidentally the wind blows
COMPOSTING THE CITY (2012) adopt a composter
COMPOSTING THE NET (2012) biodegradable data trash
BABY WORK (2012) third part of Locker Baby Project (2001-2012)
CYCLEX (2012) make art make farm, Andes, New York
UKI (2009-2012) a viral performance & a viral game
MOVINGFOREST (2008-2012) 12 hour distributed performance
LAPTOPSRUS (2009-2011) a woman live performers' network platform
AGLIOMANIA (2008-2010) garlic as post-crash currency
FISTING CLUB (2008) performance with Wendy DeLorme
MOBIOPERA (2007) collective cinema with mobilephones
BABY LOVE (2005) 2nd part of locker baby project
MILK (2004) 56K-bastard TV, Switzerland
TRAMJAM RUSH HOUR (2004 - 2007) by Mumbai Streaming Attack
TAKE2030 (2003-2006) hypermedia collective based in london
BURN (2003) burning pirated music CD
GARLIC=RICH AIR 2030 (2003) Limbo Zone, Venice Biennale 2003.
GARLIC=RICH AIR (2002) Challenge to the Fields, Creative Time, New York
KINGDOM OF PIRACY (2002-2006) curated netspace
I.K.U. (2000) Sundance Film Festival
BRANDON (1998-1999) Guggenheim Museum commission and permanent collection
BUY ONE GET ONE (1997) NTT[ICC] Biennale exhibition and collection

EARLY ONLINE ART

Expand, an interface (2001), commissioned by telepolis
APT(2002), commissioned by xcult, shrink to fit
STOP(2002), commissioned by Amnesty International

RECENT ARTICLES

Cyphersex pioneer: Shu Lea Cheang interview published at Exberliner, Berlin.
FLUIDØ cypherpunk film interview published at seditionart.com, London.
"Bodies are packaged made to be opened" published at rhizome.org
interview with Matthew Fuller at Mute, London.
Interview with Annet Dekker at skor.nl
interview with Yin Ho at Rhizome, New York.
review at interactive mythologies, Digitalarti Paris by Maxence Grugier.
review at Culture Mobile Orange Paris@rtek.

WORK SAMPLE

works 2000s - 2000 to 2014
works 1990s - 1990 to 1999
dated 2030 - published at a minima in 2005