MAUVAIS CONTACT - personal agenda

mauvais contact

[2017] [2016] [2015] [2014] [2013] [2012] [2011] [2010]
Shu Lea Cheang
download vitae2018 pdf
shulea@mauvaiscontact.info

* Cous in 2018 with Rokia at 100 who migrated from Algeria to Marais Paris in 1954, who at 100 received a photography book offered by Mairie de Paris.
* Launch Mycelium Network Society [ADOPT A NETWORK], a brand new network initiative a la Franchise mode.
* UNBORN0x9 at Open Source Body festival by medialab Makery with workshops [FB event] at la Paillasse and presentation/performance [FB event] at La Gaite Lyrique, Paris.

* Stadtwerkstatt presents premiere Austrian screening of FLUIDØ at MOVIEMENTO, Linz.
* Screening FLUIDØ, closing night film, first edition of Porn Film Festival Vienna.

* PLASMA Lecture at department of medis study, University of buffalo. [the talk]
* Screening I.K.U. at Squeaky Wheel
* Screening FLUIDØ at Hallwalls Contemporary Art Center.
* Benefit screening FLUIDØ at MIXNYC, presented by Alex Juharz.
* Persent Mycelium Network Society at Nature Lab, Troy, New York.
* Lecture iEAR Presents! : VIRUS RISING at RPI, Troy, New York. [the talk]
* Screening FLUIDØ at Columbia University, co-sponsored by MA in Modern and Contemporary Art, Dept.of Art History and archaeology, MA in Film And Media Studies.

* Showing films and casting performance at Spoutnik Cinema, Geneva.
* Installation MAKING NEWS MAKING HISTORY, live from Tiananmen Square (1990) at [不只是歷史文件：港台錄像對話1980-1990s] HONG KONG/TAIWAN video dialogue 1980 -1990s, presented by Taiwan International Documentary Festival at MoCA Taipei.
* Public dialogues - The Shu Lea MIX with five prominent writers/artists in Taiwan along with screenings of FLUIDØ, hosted by WOMEN MAKE WAVES.
* interview, Decades In the Making by Banyi Huang,published at ArtAsiaPacific.
* 鄭淑麗：電影、媒體、2030 interview by 孫松榮、林欣怡, published at 藝術觀點ACT│Art Critique of Taiwan.

* 色慾政治Ｘ數位皮囊, interview by Lee Tzu Tung for Woman Make Waves.
* Installation Those Fluttering Objects of Desire (1992-1993) at RES, London.
1-900-DESIRES digitalized audio on line. [installation photos]
* 什麼是陰道觀點？專訪鄭淑麗：歷史與高潮，另一種內部思考 interview by 謝以萱, published at BiosMonthly, Taipei.
* NEO ULTRA PUNK, happenings based on my films, FLUIDØ and WONDERS WANDER, including screenings [related short films + panel discussion] , FLUIDØ screening Q&A with Matthew Fuller, performance [let's make a sequel] - [open call] - [liberate the fluid] and workshop shadow sistxrs fight club at ICA, London in collaboration with RES, London. [ICA press release]

* moderating at –empyre- soft-skinned space, a month long online discussion titled "rehearsal of a network", all postings archived . In september, a PDF is published by Display Distribute for its third edition of "CATELOGUE" at 2018 Mediacity Biennale in Seoul.
*「數位遊牧者」的跨域分身 interview by XiaoXiao Yen, published at 典藏 ARTouch.
* BRANDON at I Was Raised on the Internet, Museum of Contemporary Art Chicago.
* WONDERS WANDER at Pink Life Queer Fest, Berlin

* press release on representing Taiwan for Venice Biennale 2019. [e-flux] [arttouch]
* Residency at Roja Art Lab with project HOODIE2030 by TAKE2030.

* research and scripting with Paul B. Preciado in Paris.

* SLEEP48 (with Matthew Fuller) at STWST48x4, Linz, Austria.
* Participating in GWANGJU BIENNALE with UKI, virus rising. [installation photos][installation documentation]

* WONDERS WANDER at MFRU international festival of computer arts, maribor/slovenia with a published interview with Kathy Rae Huffman.
* Artist in focus and open casting call performance at Porn Film Festival Berlin.

* Join 2018 Max Wasserman Forum on Future Genders, MIT List Visual Arts Center.
* SLEEP79 (with Matthew Fuller) at 台灣當代文化實驗場 Taiwan Contemporary Culture Lab (C-LAB), Re-Base: When Experiments Become Attitude"curated by Wang Jun Jieh.
* Mycelium Network Society at Taipei Biennale 2018 - Post-Nature - A Museum as an Ecosystem, Taipei, Taiwan. Opening night performance with workshop - 菌絲無線電啟動 [open call] [documentation] [video from global network nodes] [e-flux]announcement.
* digital humanities on BRANDON restoration.
* Venice Biennale title release press conference with Paul B. Preciado at Taipei Fine Arts Museum. [e-flux] [arttouch]
* Democracy in Transition: Freedom, art, and cooperative action in the fourth industrial revolution - Shu Lea Cheang, Paul B. Preciado and Audrey Tang in conversation - [video stream]

* 3x3x6 film production in Berlin.

SELECTED WORKS

MYCELIUM NETWORK SOCIETY (2018) a network initiative a la Franchise mode
WONDERS WANDER (2017) a mobi web series for Madrid Pride 2017
FLUIDØ the movie (2017) a cypherpunk scifi movie
CRISISRUS by LAPTOPSRUS (2013) collective networked performance
SEEDS UNDERGROUND (2013) underground party for seed exchange
ACCIDENTAL LANDING (2013) accidentally the wind blows
COMPOSTING THE CITY (2012) adopt a composter
COMPOSTING THE NET (2012) biodegradable data trash
BABY WORK (2012) third part of Locker Baby Project (2001-2012)
CYCLEX (2012) make art make farm, Andes, New York
UKI (2009-2012) a viral performance & a viral game
MOVINGFOREST (2008-2012) 12 hour distributed performance
LAPTOPSRUS (2009-2011) a woman live performers' network platform
AGLIOMANIA (2008-2010) garlic as post-crash currency
FISTING CLUB (2008) performance with Wendy DeLorme
MOBIOPERA (2007) collective cinema with mobilephones
BABY LOVE (2005) 2nd part of locker baby project
MILK (2004) 56K-bastard TV, Switzerland
TRAMJAM RUSH HOUR (2004 - 2007) by Mumbai Streaming Attack
TAKE2030 (2003-2006) hypermedia collective based in london
BURN (2003) burning pirated music CD
GARLIC=RICH AIR 2030 (2003) Limbo Zone, Venice Biennale 2003.
GARLIC=RICH AIR (2002) Challenge to the Fields, Creative Time, New York
KINGDOM OF PIRACY (2002-2006) curated netspace
I.K.U. (2000) Sundance Film Festival
BRANDON (1998-1999) Guggenheim Museum commission
[collection] [relaunch 2017] [netart anthology Rhizome]
BUY ONE GET ONE (1997) NTT[ICC] Biennale exhibition and collection

EARLY ONLINE ART

Expand, an interface (2001), commissioned by telepolis
APT(2002), commissioned by xcult, shrink to fit
STOP(2002), commissioned by Amnesty International