mauvais contact
[2024]
[2023]
[2022]
[2021]
[2020]
[2019]
[2018]
[2017]
[2016]
[2015]
[2014]
[2013]
[2012]
[2011]
[2010]
Shu Lea Cheang
Vitae2025
shulea@mauvaiscontact.info
01
* Entering 2025 - Snow crash02
* An interview with Berlin Art Link.03
* Hagay Dreaming at Tate Modern, part of Van Cleef & Arpels Dance Reflections, London. [A Youngish Perspective review]04
* Virus Becoming (2022) showing at Milano Art Week's Each and Every Gesture hosted by Istituto Svizzero and Mousse magaznine.05
* Publication of Informatics of Domination by Duke Press.06
* Showing UKI & I.K.U. in conjunction with KI$$ KI$$ exhibition at Haus der Kunst at Theatiner Filmkunst in Munich.07
* Keynote "2X<l2Xl> My dinner date with Tetsuo Kogawa in Akihabara, Tokyo, May 17, 2025", xCoAX 2025 - 13th Conference on Computation, Communication, Aesthetics & X, Dundee, Scotland.08
* Scripting LOVER LOVE for production in Tucson, Arizona, September - October 2025.09
* FRESH KILL launch on Criterion Channel Rediscoveries and Restorations.10
* ORTX, Solo exhibition at Contemporary Art Center (CAC), Quito, Ecuator.11
* Join exhibition, I AM NOT AN ORACLE, IMPAKT- Center for Media Culture, Utrecht, Netherlands.12
* Join the inception event of digital cultures entitled AC|DC - Aesthetics and Critique of Digital Cultures, a research platform at Academy of Fine Arts, Vienna.SELECTED WORKS
UKI (2009-2023) a scifi viral ALT-reality cinema 2023 release [UKI 2009 - 2016]EARLY ONLINE ART
Expand, an interface (2001), commissioned by telepolis, restored in Java script (2022).RECENT ARTICLES
Third Nature: On Shu Lea Cheang’s Film UKI and Nature’s Infestations of Technology by Matthew Fuller, Sage Journals 2025.WORK SAMPLE
Portfolio2025ARCHIVE
Fales Library and Special Collections